Steel River - Weighin Heavy (1970)

Steel River was a Canadian rock group formed in Toronto which performed primarily during the 1970s. They are best known for a Canadian Top 10 single "Ten Pound Note" released in 1970.

Starting in 1965 as a part-time Toronto R&B club band called The Toronto Shotgun, Steel River became full-time musicians in 1969. Greg Hambleton signed them to the Tuesday Record label, where their first single release was the Jay Telfer (A Passing Fancy) song "Ten Pound Note". The single hit Top-10 in Canada. It finished in Canada at #79 for the year. The band members were singer John Dudgeon, keyboardist Bob Forrester, bassist Rob Cockell, guitarist Tony Dunning and drummers Ray Angrove and Dennis Watson.

In 1971 the band released a follow-up LP on Evolution Records. A single, "Southbound Train", through Quality Records by including a toy train in the promotional package.

They continued touring internationally until they disbanded in 1974. That year they went on a 14 state tour in the United States.

Four out of five of the original members reunited briefly in 1980, and released a single, "Armoured Car".

Vocalist John Dudgeon went on to release a solo single record in 1983 called "Put My Arms Around You" which received extensive airplay on CKFM (99.9) and other stations in Canada and U.S. In 2004, he joined Mojo Grande, a funk/blues band from Markham, Ontario.

In 2013 and 2014, two of Steel River's albums, "A Better Road" and a re-mixed "Weighin' Heavy", were re-issued on producer Greg Hambleton's revived Axe Records label.

Kalacakra - Crawling To Lhasa (1972)

This is not the sole album from this band as such, but the one and only worked out in the 70's by the acid krautrock duo Heinz Martin and Claus Rauschenbach coming from Duisburg/Germany. Both were autodidacts with a freaky approach and used a lot of indo/raga elements. At first completely underrated 'Crawling To Lhasa' is an attractive collectors' item today ... at least when it comes to the original vinyl print. The songs were recorded by Willy Neubauer in his Düsseldorf studio during two days. Whatsoever has survived about the circumstances - they performed in a totally spaced out mood for sure, obviously inspired by Buddhistic mantras.

The trippy meandering Nearby Shiras opens the album, reflecting a multiple catastrophe, the Black Plague, coming over the Persian town called Shiraz hundreds of years ago. A sinister creature ... probably a witch ... is whispering and shouting some rezitative, repeating 'morgen kommt die Schwarze Pest' (tomorrow comes the Black Plague) all the way through. Definitely frightening and provided with some infatuating dramaturgy - however the instruments are also smooth on the contrary, speaking of flute, cymbal and acoustic guitar. And all this is made with a significant eastern touch.

On Jaceline Martin's vibraphone is striking, it serves a pleasant spacey/ambient atmosphere. Possibly improvised from start to finish, the lyrics about a girl seem to be completely pointless. The trance-like Raga No.11 features the Minimoog synthesizer, a novelty because nearly uncommon at that time in Europe. A nice song including electric guitar which has some speed this time and proves their technical skills. As from now it all runs out of inspiration a bit with simple folk impressions mainly ... until the blues based Tante Olga shows some new crazy weird vocal ideas, for example including Captain Beefheart reminiscent vocals in English.

That's it ... concerning the original vinyl. The digital releases additionally cover two songs from 1993 recorded by Heinz Martin with a better sound quality. The acid blend of folk, psych and raga is completely missing here to the benefit of a spacey new age atmosphere where Vamos is definitely enjoyable. The Garden Of Delights re-issue of this ethno trance effort is featuring a detailed history of the band and their community in Duisburg including several pictures, which are reflecting the stoned atmosphere of the recording sessions. Not a ground-breaking album because running out of breath in between - nevertheless a worthwhile purchase for krautrock and indo/raga lovers.

Waylon Jennings - The TakerTulsa (1971) Honky Tonk Heroes (1973)

When Waylon Jennings hooked up with songwriter Billy Joe Shaver, he found the perfect author for his obsessions, his fascinations, and his very image. Waylon had always been looking, perhaps unintentionally, for a common ground between country and rock, and Shaver's songs -- sketching an outlaw stance with near defiance and borrowing rock attitude to create the hardest country tunes imaginable -- were perfect. On his previous album, Waylon had sung that "ladies love outlaws," but now he found the music that would soon be called outlaw country, a defiant, ballsy blend of mythmaking and truth-telling. Shaver never had a better voice for his songs, and Jennings never had better songs for his style. Honky Tonk Heroes arrived at a crucial moment, a time when true honky tonk was fading, so only a dose of rock & roll could save it. And, no matter how much rock attitude is here, this is pure country in its stance and attitude -- yet Honky Tonk Heroes' very defiance makes it a perfect discovery album for listeners who never thought they would like country music. And the songs! Shaver earned his stripes here, with songs that were emotional, funny, and clever, utterly bringing the mythic outlaw ethic to life. "Black Rose," "You Asked Me To," and "Honky Tonk Heroes" remain among the greatest things Waylon ever cut, and every other song here matches them. Few country albums have ever been this consistent, and few records, from any genre, have been as consistently compelling. A wonderful album -- one that's hard to tire of.

Daryl Hall and John Oates - Voices (1980)

Voices is the ninth studio album by American pop music duo Hall & Oates. The album was released on July 29, 1980, by RCA Records. It spent 100 weeks on the Billboard 200, peaking at number 17.

The album slowly became a massive hit, spinning off four singles into the top 40 of the American pop charts: "How Does It Feel to Be Back" (number 30 in summer, 1980), "You've Lost That Lovin' Feelin'" (number 12 in fall, 1980), "Kiss on My List" (number 1 for three weeks in spring, 1981), and "You Make My Dreams" (number 5 in summer, 1981). "Everytime You Go Away" was not released as a single but was covered by Paul Young in 1985, when it went to number 1 on the Hot 100 on 27 July 1985. Singers Elisa Chan and Danny Summer covered this song in Cantonese in 1985 and 1986.

Voices was the first album that Hall & Oates produced by themselves, working in conjunction with renowned engineer Neil Kernon.

The album debuted at number 75 on the Billboard 200 the week of August 16, 1980 as the highest debut of the week. After ten months since its debut on the chart, it reached and peaked at number 17 on June 13, 1981, making it their highest charting album since 1975 when Daryl Hall & John Oates peaked at number 17 too. It remained on the chart for one hundred weeks, more than any other album by the duo. It was certified gold by the RIAA on May 6, 1981 for shipments of 500,000 units, it reached platinum status on January 22, 1982 denoting shipments of one million.

Sarah Connor - Green Eyed Soul (2001)

Green Eyed Soul is the debut album by German recording artist Sarah Connor. It was released by X-Cell Records and Epic Records on November 26, 2001, in German-speaking Europe. Connor worked on the majority of the album with Bülent Aris and duo Rob Tyger and Kay Denar, all of who would become frequent collaborators on subsequent projects. She also collaborated with American rapper TQ as well as producers Adam Charon, Mekong Age, and Rufi-Oh. Green Eyed Soul is predominately a pop album with major influences of contemporary R&B, hip hop and soul music. The album's lyrics explore the complexities of romantic relationships and stages of love.

Green Eyed Soul received a generally mixed reception from professional music critics, who declared it a mixed bag but considered it a solid career launcher. Upon its release, it opened at number two on the German Albums Chart, and within the top five in Austria, Finland and Switzerland. Ranking among Connor's biggest-selling international efforts, the album eventually reached gold status in Austria, Czech, Poland, Portugal and Switzerland and was certified platinum by the Musiikkituottajat (IFPI Finland) and triple gold by the Bundesverband Musikindustrie (BVMI). In 2002, it ranked number twenty-eighth on the German Albums year-end chart.

Altogether Green Eyed Soul spawned three singles, including "Let's Get Back to Bed – Boy!" featuring TQ, "French Kissing" (based on a sample of Blackstreet's "No Diggity"), and the ballad "From Sarah with Love", Connor's first number-one hit and breakthrough song. A fourth track, "If U Were My Man", received a limited promotional release in Eastern Europe, but failed to chart anywhere. In support of the album, Connor embarked on the Green Eyed Soul Tour in 2002.

Nicky Hopkins - The Tin Man Was A Dreamer (1973)

The Tin Man Was a Dreamer is a studio album by English musician Nicky Hopkins, released in 1973 on Columbia Records. While Hopkins had long been well known for his distinctive, melodic style on piano and Wurlitzer electric piano, the album provided a rare opportunity to hear him sing, unlike his earlier solo releases The Revolutionary Piano of Nicky Hopkins and Jamming with Edward! The album was co-produced by Neil Young's regular producer, David Briggs, and featured contributions from George Harrison, Mick Taylor, Klaus Voormann and Hopkins' fellow Rolling Stones sidemen Bobby Keys and Jim Price.

The Zombies - Greatest Hits (2002)

The Zombies are a British pop group, first active in the 1960s. Following The Beatles in 1964 as part of "The British Invasion" of the USA, they were the second UK group to score an American #1 hit. The Zombies were uniquely different, with a subtler style, often jazzier and more inventive chord structures, the prominent keyboards of Rod Argent, and the distinctive voice of Colin Blunstone. She's Not There and Tell Her No were quick hits, but despite continually stunning musical output that has influenced other artists ever since, another hit record was more than four years away, after they'd broken up! Only in recent years has the richness of The Zombies' entire catalog been discovered by a whole new generation of fans.

This collection, remastered for SACD, covers the Zombies' short and tasteful career, spanning their 1964-1967 years for Decca Records, and their single album, the classic Odessey & Oracle, for Epic Records in 1968. Two versions of "She's Not There" are included here, one the so-called "stereo underdub" version that lacks the snappy drum overdub that gives the superior single version its crisp, edgy feel. There are also two mixes of "Time of the Season," the familiar version and an alternate mix that features a little more organ in the verse sections.

~ Steve Leggett, All Music