Sam Brown - 43 Minutes (1993)

43 Minutes is the third studio album from English female singer-songwriter Sam Brown. It was released in 1993 by Brown's own label, Pod Music.

43 Minutes peaked at No. 132 on Australia's ARIA Charts. "Fear of Life" was released as the album's only single, and reached No. 135 on the ARIA Charts. In 2019, a remastered edition of 43 Minutes was reissued on CD through Pod Music.

Brown began writing 43 Minutes in 1991, during which time her mother was dying of cancer. Once writing was completed, Brown's label, A&M Records, provided the singer with £11,000 to demo her new material, with recording taking place in the summer of 1992. When presented to A&M, the label 

raised concerns over the material not being commercial enough. They requested Brown record a cover version of a song with hit potential and include it on the album, but Brown refused and split from the label. She told the Windsor Star in 1994: "I made a creative decision that I'd rather have artistic fulfillment than financial success."

Brown then looked at releasing her new material independently. She bought back the rights from A&M, and worked some more on the existing recordings. 43 Minutes was released in 1993 through Brown's own label, Pod Music, and through All At Once Records in Europe. The initial release 

sold 4,000 copies, and Brown embarked on a 22-date UK tour in early 1993 to promote it.

Speaking of the album, Brown told Staines and Ashford News in 1992: "Musically it's very different to what I have done before. It's all piano with other instruments and quite mellow." She added in 2000: "43 Minutes is the first album that really represents me. It's not directly about my mother's death, but it is a whole piece and very fierce. It really homed in on what I thought, what death chucks up at you."

Waylon Jennings - The TakerTulsa (1971) Honky Tonk Heroes (1973)

When Waylon Jennings hooked up with songwriter Billy Joe Shaver, he found the perfect author for his obsessions, his fascinations, and his very image. Waylon had always been looking, perhaps unintentionally, for a common ground between country and rock, and Shaver's songs -- sketching an outlaw stance with near defiance and borrowing rock attitude to create the hardest country tunes imaginable -- were perfect. On his previous album, Waylon had sung that "ladies love outlaws," but now he found the music that would soon be called outlaw country, a defiant, ballsy blend of mythmaking and truth-telling. Shaver never had a better voice for his songs, and Jennings never had better songs for his style. Honky Tonk Heroes arrived at a crucial moment, a time when true honky tonk was fading, so only a dose of rock & roll could save it. And, no matter how much rock attitude is here, this is pure country in its stance and attitude -- yet Honky Tonk Heroes' very defiance makes it a perfect discovery album for listeners who never thought they would like country music. And the songs! Shaver earned his stripes here, with songs that were emotional, funny, and clever, utterly bringing the mythic outlaw ethic to life. "Black Rose," "You Asked Me To," and "Honky Tonk Heroes" remain among the greatest things Waylon ever cut, and every other song here matches them. Few country albums have ever been this consistent, and few records, from any genre, have been as consistently compelling. A wonderful album -- one that's hard to tire of.

Mike Marshall - Gator Strut (1987)

Mike Marshall (born Michael James Marshall, July 17, 1957 in New Castle, Pennsylvania) is a bluegrass mandolinist who has collaborated with David Grisman and Darol Anger.

He grew up in Lakeland, Florida. When he was 18, he won Florida state contests on fiddle and mandolin. He considers his discovery of David Grisman's music a significant event in his life, admiring how Grisman combined jazz and Latin styles into his own form of bluegrass. After Marshall moved to California, he collaborated with Grisman on film music and soon after was invited by Grisman to join the quintet. He was a member of the David Grisman Quintet from 1985–1990, touring with Jerry Douglas, Béla Fleck, Tony Rice, Mark O'Connor, Stéphane Grappelli, and Darol Anger.

Marshall and Darol Anger collaborated often during their careers. They founded Montreux, with Barbara Higbie and Michael Manring, and the supergroup Psychograss, with Tony Trischka and Todd Phillips. Like Grisman, both groups played an eclectic style of music that combined classical, folk, jazz, and bluegrass. Marshall has performed Brazilian music with the band Choro Famoso and on his second solo album, Brazil: Duets. He released his debut solo album, Gator Strut, in 1989.

Marshall is a virtuoso on the mandolin. He plays a 1924 Gibson F-5 mandolin that was signed by Lloyd Loar. He helped start the Modern Mandolin Quartet. His wife, Caterina Lichtenberg, is a German mandolinist. He collaborated with mandolinist Chris Thile on Into the Cauldron (2003). Both he and Caterina teach online mandolin lessons through ArtistWorks.