Fleetwood Mac - Shrine '69 (1999)

Shrine '69 is a live album by British blues rock band Fleetwood Mac, recorded on 25 January 1969, and finally released in 1999. Recorded at a concert in southern California, this album includes versions of the band's recent hits, "Albatross" and "Need Your Love So Bad", as well as more unusual songs like "Before the Beginning" and "Lemon Squeezer".

Jefferson Airplane - The Roar of Jefferson Airplane (2001)

The Roar of Jefferson Airplane is a compilation of songs by San Francisco rock band Jefferson Airplane without the ubiquitous "White Rabbit". 

"The Ballad of You and Me and Pooneil" is followed immediately by "The House at Pooneil Corners", thus making a suite from the two similar and related songs originally released on separate albums.

Steel River - Weighin Heavy (1970)

Steel River was a Canadian rock group formed in Toronto which performed primarily during the 1970s. They are best known for a Canadian Top 10 single "Ten Pound Note" released in 1970.

Starting in 1965 as a part-time Toronto R&B club band called The Toronto Shotgun, Steel River became full-time musicians in 1969. Greg Hambleton signed them to the Tuesday Record label, where their first single release was the Jay Telfer (A Passing Fancy) song "Ten Pound Note". The single hit Top-10 in Canada. It finished in Canada at #79 for the year. The band members were singer John Dudgeon, keyboardist Bob Forrester, bassist Rob Cockell, guitarist Tony Dunning and drummers Ray Angrove and Dennis Watson.

In 1971 the band released a follow-up LP on Evolution Records. A single, "Southbound Train", through Quality Records by including a toy train in the promotional package.

They continued touring internationally until they disbanded in 1974. That year they went on a 14 state tour in the United States.

Four out of five of the original members reunited briefly in 1980, and released a single, "Armoured Car".

Vocalist John Dudgeon went on to release a solo single record in 1983 called "Put My Arms Around You" which received extensive airplay on CKFM (99.9) and other stations in Canada and U.S. In 2004, he joined Mojo Grande, a funk/blues band from Markham, Ontario.

In 2013 and 2014, two of Steel River's albums, "A Better Road" and a re-mixed "Weighin' Heavy", were re-issued on producer Greg Hambleton's revived Axe Records label.

Humble Pie - Joint Effort (2019)

One of the first and most loved of the super groups from Britain, Humble Pie established their sound from the off. Former Small Faces leader Steve Marriott, fellow guitarist and vocalist Peter Frampton (ex-Herd), Spooky Tooth bassist Greg Ridley and the mighty teenage drummer Jerry Shirley convened at Steve’s Essex home in 1969 while the Small faces were still operating, but since his heart was no longer in the repetition of his extraordinary pop hits and hadn’t a desire to turn it up, rock a new metal brew.

Humble Pie - Town and Country (1969)

The Yardbirds - For Your Love (1965)

Back in 1965, this album seemed like a real mess, which was understandable, because For Your Love wasn't a "real" album, in the sense that the Yardbirds ever assembled an LP of that name or content. Rather, it was the response of their American label, Epic, to the band's achieving a number six single with the title track, with manager Giorgio Gomelsky selecting the cuts. The quasi-progressive "For Your Love," dominated by guest artist Brian Auger's harpsichord, is juxtaposed with hard-rocking blues-based numbers, almost all of which featured departed lead guitarist Eric Clapton (who is mentioned nowhere on the LP), with current lead guitarist Jeff Beck on just three tracks. The Clapton cuts, although primitive next to the material he was soon to cut with John Mayall, have an intensity that's still riveting to hear four decades later, and was some of the best blues-based rock & roll of its era. The three Beck sides show where the band was really heading, beyond the immediate success of "For Your Love" -- "I'm Not Talking" and "I Ain't Done Wrong" were hard, loud, blazing showcases for Beck's concise blues playing, while "My Girl Sloopy" was the first extended jam to emerge on record from a band on the British blues scene; the source material isn't ideal, but Beck and company make their point in an era where bands were seldom allowed to go more than four minutes on even an album track -- these boys could play and make it count.

Joe Bonamassa - Transilvania - Milano (2007)

Guitar mastermind Joe Bonamassa, a young player with the childhood dream of playing music similar to legends like Stevie Ray Vaughan, Eric Clapton, and Jimi Hendrix, was 22 when he inked a deal with Epic. Hailing from Utica, New York, Bonamassa could play the blues before he could drive a car. He first heard Stevie Ray Vaughan at age four and was instantly taken by Vaughan's high-powered playing. At age eight, he opened for B.B. King, and at age 12, he was playing regularly around upstate New York. It was soon thereafter that Bonamassa hooked up with the band Bloodline, which featured other musicians' sons: Waylon Krieger (Robby Krieger's son), Erin Davis (Miles Davis' drummer kid), and Berry Oakley, Jr. (son of the Allman Brothers bassist). Bloodline released a self-titled album, but Bonamassa wanted to move on. In summer 2000 he guested for Roger McGuinn on Jethro Tull's summer tour, later releasing his debut solo album, A New Day Yesterday. Produced by longtime fan Tom Dowd, the album marked a move toward a more organic and rock-sounding direction. He put together a power trio with drummer Kenny Kramme and bassist Eric Czar and hit the road to support the album.

Upon returning from the road, he hooked up with Dowd to record the muscular and sweeping studio disc So, It's Like That and released a document of the tour, A New Day Yesterday Live. The following year, Bonamassa put out Blues Deluxe, featuring nine cover versions of blues classics alongside three originals. The muscular You & Me appeared in 2006, followed by the more acoustic-tinged Sloe Gin in 2007. A year later, Bonamassa released the two-disc live album Live from Nowhere in Particular, followed in 2009 by The Ballad of John Henry. Late in 2009 he released the DVD Live from the Royal Albert Hall with guest spots from Eric Clapton and Paul Jones. In 2010, the guitarist released his first disc for the Premier Artists label, Black Rock, featuring a guest appearance by B.B. King. It was followed by the debut album from Black Country Communion, a blues-rock supergroup that put him in the company of bassist/vocalist Glenn Hughes, drummer Jason Bonham, and keyboardist Derek Sherinian. Bonamassa, ever the overachiever, released his earthy Dust Bowl in March of 2011, followed by Black Country Communion's 2 in June and by his unique collaboration with vocalist Beth Hart on a searing collection of soul covers entitled Don't Explain in September.

In May of 2012, Bonamassa released Driving Towards the Daylight. The album reunited the guitarist with producer Kevin Shirley, who brought in Aerosmith's Brad Whitford to play rhythm guitar on the 11 tracks. Driving Towards the Daylight was a significant blues hit -- it topped the Billboard blues chart and debuted at number two on the overall British chart -- and Bonamassa didn't slow down. Early in 2013, he released a live CD/DVD set called An Acoustic Evening at the Vienna Opera House and prepared SeeSaw, a studio album of classic covers with vocalist Beth Hart. SeeSaw was released later in 2013, and Bonamassa and Hart followed it up with Live in Amsterdam in March of 2014. After the release of SeeSaw, Bonamassa returned to the studio once again with producer Shirley to record what would be his 11th solo studio album. As a thank-you to his fans for their continued support, Bonamassa announced that the album would be his first release to feature entirely original material. Different Shades of Blue appeared in the fall of 2014, featuring 11 new songs co-written by Bonamassa with various veteran Nashville songwriters. Another busy year followed in 2015, with Bonamassa playing on Mahalia Barnes' Betty Davis tribute Ooh Yea! The Betty Davis Songbook and releasing two separate live collections: Muddy Wolf at Red Rocks in the spring and Live at Radio City Music Hall in the fall.

Returning to Nashville, he recorded his studio follow-up to Different Shades of Blue, working with many of the same songwriters who'd appeared on that 2014 album. Blues of Desperation appeared in March 2016. Another live recording, Live at the Greek Theatre, which celebrated the work of blues legends such as B.B. King, Freddie King, and Albert King, followed that summer. At the beginning of that year, Bonamassa headed out on an all-acoustic tour that saw him performing some of his best-known material in a new way. The tour included two nights at the legendary Carnegie Hall in New York that were filmed and recorded for prosperity. The performances saw him backed by a full band alongside the likes of guest musicians Chinese cellist and erhuist Tina Guo and Egyptian percussionist and composer Hossam Ramzy. The recording, Live at Carnegie Hall: An Acoustic Evening, was released in mid-2017. Bonamassa re-teamed with Beth Hart for Black Coffee, an album of covers that was released in January 2018. Also that year, he delivered British Blues Explosion, a live album recorded during a five-show run at the Royal Navy College in London, in which he performed covers from his top three British influences: Eric Clapton, Jeff Beck, and Jimmy Page.

Samuel Prody - Samuel Prody (1971)

Samuel Prody foi uma banda inglesa de Heavy Psych Blues formada por Tony Savva (voz), Derek Smallcombe (guitarra), John Boswell (bateria) e Stephen Day (baixo) em Londres, Inglaterra no ano de 1969.

Em 1970 lançaram seu primeiro e unico disco, um álbum caracterizado pela psicodelia pesada sendo comparado com as bandas Ancient Grease e Sir Lord Baltimore.

Uma das caracteristicas da banda são seus solos de blues, por mais que altere a sua sonoridade pesada com um som limpo eles mantem uma estrutura  nativa no blues.

"Excellent heavy psychedelic blues-rock in the being of the Masters Apprentices, Morly Grey, Ancient Grease and Sir Lord Baltimore. Samuel Prody is very much underrated one album miracle, which any addict of proto-metal (or classic hard'n'heavy and psychedelia) will enjoy; it will definitely please and surprise hardcore fans of Led Zeppelin and Deep Purple. The mastermind behind the band was Tony Savva, London-based bass guitarist and singer, who went through various minor bands of the 60s. After over 30 years of various 'unofficial' CD releases of the album Tony has decided to offer a limited edition CD himself and he has signed each one of the first 100 personally."

Shadows Of Knight - Raw 'N Alive at the Cellar, Chicago 1966! (1966)

This is one of the very few live garage band tapes from the mid-'60s of relatively decent sound quality (considering the standards of the era). The song selection of this set should also please fans of one of the most famed '60s garage bands, captured here at a club in their home turf of Chicago in December 1966. The 13 songs include live versions of many of the tunes from their first (and best) album, as well as a six-minute workout of their lone national hit "Gloria" and a couple of Solomon Burke covers. However, it's not essential if you already have the original albums, or the fine best-of compilation released in the U.K. on Edsel, Gee-El-O-Are-I-Ay. These versions are very close in arrangement to the officially released ones, but the performance is less accomplished, as it were, and the sound quality worse. An interesting artifact that nevertheless has little appeal beyond '60s garage collector circles, although the very brief quotes from the Mothers of Invention's "Help I'm A Rock" are most curious and unexpected.

Humble Pie - Town and Country (1969)

Anyone who thinks of Humble Pie solely in terms of their latter-day boogie rock will be greatly surprised with this, the band's second release, for it is almost entirely acoustic. There is a gently rocking cover of Buddy Holly's "Heartbeat," and a couple of electrified Steve Marriott numbers, but the overall feel is definitely more of the country than the town or city. "The Sad Bag of Shaky Jake" is a typical Marriott country ditty, similar to those he would include almost as a token on each of the subsequent studio albums, and "Every Mother's Son" is structured as a folk tale. On "The Light of Love," Marriott even plays sitar. Peter Frampton's contributions here foreshadow the acoustic-based music he would make as a solo artist a few years later. As a whole, this is a crisp, cleanly recorded, attractive-sounding album, totally atypical of the Humble Pie catalog, but well worth a listen.

Humble Pie - Joint Effort (2019)

Blind Faith - Debut In Stockholm (1969)

Blind Faith were an English blues-rock band that comprised Eric Clapton, Ginger Baker, Steve Winwood and Ric (aka Rick) Grech. The band, which was one of the first "super-groups", released their only album, Blind Faith, in August 1969.

Blind Faith formed in London, England, in late 1968 when Eric Clapton (ex-Cream) and Steve Winwood (ex-Traffic) were at loose ends following the demise of their former bands and began to spend time together again, jamming and working on new material at Clapton's house in Surrey (they had previously collaborated on a Clapton project called Eric Clapton & The Powerhouse. At Winwood's instigation, Cream's former drummer Ginger Baker was invited along, and they subsequently spent some time recording in the studio. Rick Grech, bassist with Family, was invited to join them…and he left Family, mid-tour! Record producer Jimmy Miller came in to bring some focus to the recording of further material.

News of the formation of the group created a buzz of excitement among the public, and a free concert was scheduled for London's Hyde Park on June 7, 1969. Their small repertoire was reported by the music press as having disappointed the crowd of 100,000 who were also expecting to hear songs from the days of Cream and Traffic. The recording of their album continued; followed by a short tour of Scandinavia, then a U.S. tour from July 11 (Newport) to August 24 (Hawaii), supported by Free and Delaney & Bonnie and Friends.

Audience reaction in the USA was similar to that in the UK, and the band was forced to appease them by playing a couple of Cream and Traffic songs. The management pressure to cash in on the hyperbole (the Press dubbed them a supergroup), and Baker's view that the group was a continuation of Cream soured feelings within the band, and they disbanded immediately after completing the U.S. tour.

An expanded, deluxe edition of the album was released in 2001, with previously unreleased tracks and jams included. Two live tracks from the Hyde Park concert, "Sleeping in the Ground" by Sam Myers and the Rolling Stones song "Under My Thumb" are also available on Winwood's 4-CD retrospective The Finer Things.

The band dissolved in 1969 after only a year together. Winwood reformed Traffic, and later, a solo career. Clapton stepped out of the spotlight, first to sit in with the Plastic Ono Band, and then to tour as a sideman for Delaney & Bonnie and Friends.

Upon its release, Blind Faith topped Billboard's Pop Albums chart in America (as it did the UK charts) and peaked at #40 on the Black Albums chart, an impressive feat for a British rock quartet.